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The National Museum of American Illustration (NMAI) was founded in 1998 by Judy A. G. Cutler and Laurence S. Cutler, to house their art collection from the 'Golden Age of American Illustration.' The Museum venue is Vernon Court (1898), a French chateau mansion from the 'Gilded Age,' designed by Carrere & Hastings, architects of other notable buildings such as the NY Public Library, the US Senate Office Buildings, Lord Duveen's New York Galleries, and the Henry Clay Frick Collection. The three acre grounds were inspired by Henry VIII's gardens for Anne Boleyn at Hampton Court Palace. An adjacent three acres, designed by the first American landscape architect, Frederick Law Olmsted will be restored and revitalized into The Frederick Law Olmsted Park, along with a Memorial Arch designed by and in honor of Louis I. Kahn, America's greatest architect of the last half of the 20th century.
The NMAI exhibits and interprets its unique collection of original art works in order to preserve this rich and significant part of American heritage. These art works include many of the milestone pieces created by artists/illustrators such as Maxfield Parrish, Charles Dana Gibson, Howard Pyle ('Father of American Illustration'), Norman Rockwell, NC Wyeth, Jessie Willcox Smith, JC Leyendecker and many other greats. The works were originally created to be reproduced in magazines, as posters, in advertisements, on print products (fine art prints and the like), and in book illustrations. In addition to their technical execution, the context in which they were created and the purpose of their commission remains a poignant bookmark in history. With an ever-increasing recognition of illustration as a meaningful part of the fine arts spectrum, these works have earned a lofty role in art history.
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It is required that both individuals and groups make advance reservations in order to visit the NMAI. Individuals are often appended to tour groups (15 persons or more). VIP tours are also offered with a four-person minimum. Because of the national significance of the iconic American art in this collection, all visitors are required to register on site.
The tour is launched in the Treillage Loggia at the Museum Entrance. A brief
lecture on the architecture, interiors, and gardens is given, and
then a summary of the significance of illustration within its proper
context in the fine arts spectrum. Visitors are guided on the ground
floor to view the paintings while passing through the Loggia into
the Grand Salon, Petit Salon, Ballroom or Marble Hall, and into
the Rose Garden Loggia (five or six galleries for 1-1½ hrs
elapsed time). The tour de force of the Collection are the eighteen
10 foot high Maxfield Parrish murals. The tour continues into the
former kitchen and servants lounge on the lower level which serves
today as a well-appointed Museum Shop and a soon to be opened, café.
No photography is permitted inside the mansion.
| Review |
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To visit this Museum is a truly unique experience which not only exposes the visitors to a most elegant and beautiful 'Gilded Age' mansion, but simultaneously to the most significant masterpieces of illustration art in the nation. We would have to agree with famous glass artist, Dale Chihuly, who proclaimed it "the best museum experience of my life."
The American Imagist Collection has been assembled over nearly forty years and is the most impressive of such collections. We particularly noticed that the art works are hung in scale with each other, in front of bookcases, mirrors, and elaborate architectural media. The Collection is the largest private collection of Norman Rockwell, the largest of Maxfield Parrish, JC Leyendecker, and one of the largest of NC Wyeth, Charles Dana Gibson, and those great women illustrators, the Red Rose Girls (Smith, Green, and Oakley). Having this great art, which manifests poignant moments of our history and significant icons of our culture, presented in such a splendid setting, showcased its beauty and grandeur in a way that could truly be absorbed and appreciated.
The Museum has taken preserving its history beyond its walls seriously, too, for the marvelously restored gardens have attracted garden clubs from as far away as western Canada. Every aspect of this exquisite experience is so well done, so superbly placed, selected, framed and restored. Each object, be it art, decorative arts, furniture or sculpture, is clearly loved and the passion for art and architecture is obvious. This will be one of the highlights of your visit to Newport.
| Customer Reviews |
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Customer reviews for National Museum of American Illustration
Avg. Customer Review
(4.9 Stars):

Number of Reviews: 31
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51 of 60 people found the following review helpful:
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a fabulous house, Jan 04, 2008
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reviewer: lang
from California
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| I haven't been back to what was once called Vernon Court Hall to see the wonderful exhibits but I did have the honor of living in that house for a year. It was an opportunity of a lifetime and one I will never forgot. |
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31 of 33 people found the following review helpful:
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Stunning!!, Jul 02, 2007
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reviewer: Lois Dean
from Washington, DC USA
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| The attention to detail is amaziing; one could not ask for a more appropriate setting for the artwork. The attention to scale and lighting has created a series of elegant spaces that delight the mind and spirit. I can recall the elements of the experience at the Museum of American Illustration vividly - it comes together quite perfectly. |
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16 of 28 people found the following review helpful:
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Hot & Grumpy, Aug 24, 2006
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reviewer: Esteban
from NYC
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| We were treated to a private tour of the museum by the owners, Larry and Judy Cutler. The collection is out of this world and Parish's most famous painting, "Daybreak", is on display for just a short time. We were told it recently sold at auction for almost $8 million! We were delighted with the tour, thought Judy was "hot", but found Larry to be a little grumpy. You cannot miss this if you visit Newport. |
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